Rebelious Spirit Essay -- Character Analysis

The beginning of the twentieth century was marked by the development of feminist movements which demanded equal rights with men, and induce been a subject of controversy in many families. Through Nora Helmer, the master(prenominal) character of A Doll House, Norwegian work outwright Henrik Ibsen focuses on the post and social stipulation of women who were mis treated by men and law in the end of the 19h century. At that time, a wife was expected to be solely dependent on her husband and support the image of the ideal family by taking care of him, children, and the house, but having no personal freedom. Nora leaves her family after realizing that she has been treated by her husband as a doll rather than personality, thus going up against the norms created by men-dominated society to save her self-esteem. Social discrepancy becomes a widespread problem because Noras tragedy creates an opportunity to filter the hidden essence of social and moral relationships where a woman is timid to admit her noble deed to save the dying husband, which is qualified as a crime by the state laws and moral standards. Noras family give reveals the underlying tragedy and brutality of reality, hidden beneath external well-being, as well as portraying the ability of an individual of a weaker status to resist the obstacles.At first glance, Nora Helmer, is only a doll, a sunny squirrel, as Torvald calls her, and the mistress of the comforting house which resembles a doll house. Kids adore her and her man is satisfied with the fairy tale created in the house. Noras husband, Torvald, appreciates much(prenominal) comfort and openly admires Nora is that my little lark, twittering out there?...When did my squirrel get interior(a)? (Ibsen Act I). Behind this external happiness and car... ...erefore, the final piece of the play remains open because Nora has not yet won, but the victory is close. there might a miracle happen and Torvald will be able to revision internally, bri ng Nora back, and build together a real house. In his drama, Henrik Ibsen has revealed with child(p) inconsistency between decent visibility and internal wickedness of a displayed reality, protested against the entire system of public opinion demanding maximum emancipation of women. work CitedGoldman, Emma. Victims of Morality. Lecture. Mother Earth. Vol. 8. Mar. 1913. 19-24.Ibsen, Henrik.A Doll House Approaching Literature indicant + Thinking + Writing. Ed. Peter Schakel and Jack Ridl. 3rd ed. Boston Bedford/St. Martins, 2012. 1245-1297. Print.Johnston, Ian. On Ibsens A Dolls House. Lecture. Malaspina University-College, Nanaimo. July 2000. Web. 21 Apr. 2012.